I am sure that many of you would be passionate about music and might be having some of the music instrument to enjoy this pleasant joy given to us. There are different sort of music instruments that people usually owe such as guitar, trumpet, drum, woodwinds, strings or piano. Out of these pianos is the one that is not easy to play and also to maintain in comparison to the other ones mentioned.
So if you have a badly stained piano and you want to care for it then it doesn’t require any professional cleaner or polisher but all you need is a regular soft buff with a lint free cloth. Any sprays or harsh chemicals will damage the surface of the delicate keys and shall also make the instrument look older and worn than what actually it is.
For cleaning the ivory keys you should not:
1. Immerse in water
2. Scrub with a brush or even a scouring pad
3. Use any type of chemicals or even washing up liquid can damage the previous surface
4. Spray with furniture polish
5. Use air-freshener anywhere near the keys or piano
Ivory should be gently wiped with a soft clean cloth and for stubborn marks or fingerprints you should first wash your hands and thereafter you can use a mild non-colored toothpaste on a damp cloth but ensure that you gently rub and never scrub. Rinse with fresh milk with another lint free cloth and buff well.
You should leave the piano open on sunny days so that the keys stay bleached and don’t turn yellow. Keys that are badly discolored or stained should be scraped and recovered by any professional piano cleaner.
For cleaning plastic keys you should not:
1. Use chemicals
2. Leave the piano open for long period of time as this shall cause discoloration of the keys
3. Use furniture polish as this could be very harsh
Dust regularly and wipe occasionally with a soft solution of warm water and vinegar on clean chamois leather. Then buff well for added shine. If you want to clean the casework that usually gets very dusty you can use a vacuum cleaner attachment to get rid of any cobwebs or dust. It can take some time but it will surely be worth and remember not to use any water or liquid to clean the casework. For stains and marks you can consult a professional piano cleaner or tuner.







Label chief defends Swift's Grammy performance
“She is the voice of this generation. She speaks directly to (her fans), and they speak directly back to her,” said Big Machine Records CEO Scott Borchetta in a phone interview. “This is not `American Idol.’ This is not a competition of getting up and seeing who can sing the highest note. This is about a true artist and writer and communicator. It’s not about that technically perfect performance.”
Borchetta first responded to the backlash in an interview The Tennessean. Asked by The Associated Press why he felt the need to defend Swift, he said because the criticism was “just over the top.”
“It’s that classic thing that critics do of building something up and then wanting to tear it down,” he said.
Swift rehearsed her performance and duet with Stevie Nicks two different times at the Staples Center in Los Angeles in front of a crowd of people. Critics were nicer then. Entertainment Weekly wrote of the rehearsal, “The two women’s voices complimented each other nicely on the harmonies of `Rhiannon …’”
But on Sunday night’s Grammy show, Borchetta said Swift had a technical issue that made her worry about her performance. (Attempts to reach The Recording Academy for comment went unanswered.)
“We had a volume problem in the ear. So, she was concerned that she wasn’t able to hear everything in the mix,” Borchetta said. “That’s just part of live TV. … So you’re going to have difficulties on occasion. Unfortunately, on one of the biggest stages, we did have a technical issue. She couldn’t hear herself like she had in rehearsal.”
As quickly as you could say “Fearless,” bloggers and media outlets pounced on Swift’s performance. The Washington Post quipped: “To borrow a phrase from Montgomery Burns, it was more ‘off-key caterwauling.’” Entertainment Weekly’s Web site EW.com said: “There’s no doubt that someone was badly off-key … I’m afraid my money’s on Taylor.”
The chatter at times overshadowed the four Grammys she won — including album of the year.
Borchetta said he doesn’t need critics to give the 20-year-old the benefit of the doubt: “What we have is so much bigger than that. Am I going to ask them to turn their heads, no, I don’t need them to.”
It’s doubtful her fans will abandon Swift anytime soon, judging by the congratulations and positive comments on her Facebook and MySpace pages, or that those with tickets to the second leg of her sold-out “Fearless” tour will throw them away because she had a bad night.
And with that, Borchetta has a message to all of her critics.
“If you haven’t seen her live performance, you’re welcome to come out as my guest to a Taylor Swift show and experience the whole thing, because it’s amazing. You can see her in her element. There’s a reason tickets are selling like they are.”
Swift’s “Fearless” album has sold over 5 million copies and was last year’s top-selling album. She is the youngest artist to ever win the Grammys’ top prize of album of the year. She will resume the “Fearless” tour March 4 in Tampa, Fla.